Category Archives: colours

Relaxing in to autumn

green cast iron seat covered in and surrounded by autumn leaves

Autumn seat

Autumn is my favourite season and this photo rather sums it up for me.

At this time of year as the sun sinks lower in the sky and the atmosphere cools the light becomes richer and the possibility of ethereal mists can add a dreamy quality to landscape scenes. This is the time of year to get out there with the camera and make the most of the conditions.

This photo was taken in the walled garden at Kellie Castle in Fife which is relatively local to me and was taken on a sunny autumn day when I simply decided to get out and about. It shows that we don’t need to go far to capture intriguing photos. I went out with no clear plan, other than a determination to capture some images. There is a walled garden at Kellie Castle and I went in there aware of the surrounding trees and hopeful of perhaps getting a shot of the castle surrounded by the colours of autumn. There were one or two options for that which, of course, I captured but as I then walked round the garden this seat caught my attention.

The colour of the seat stands out well against the backdrop of the leaves which offer up an impression of a soft patchwork blanket. The leaves on the seat also suggest a soft cushion contrasting with the hardness of the seat itself.

There is something about autumn which encourages me to slow down and relax into the season. I think this photo captures that sense of the desire to sit down and appreciate the beauty that is all around.

If you would like to keep a sense of the relaxation the autumn inspires why not hang a print of this image on your wall, at work or at home. You can buy a print here.

 

 

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Estuary sunrise

sunrise over the Forth estuary

estuary sunrise

Another one from the archive, this was shot at 08:23 hrs on 08 December 2017 using my smart-phone. I really like the colours and simple composition of the open space and it was interesting to revisit the editing process so I thought I might share that and walk you through what I did with this one.

This was entirely processed in Lightroom Classic CC and typically of my work flow I started with lens corrections ticking on both:

  • Remove Chromatic Aberration, and
  • Enable Profile Corrections

Next stop in the process was the basic tab where I:

  • reduced the exposure very slightly (-0.12)
  • increased the contrast a little
  • dropped the highlights significantly (-75)
  • lightened the shadows significantly (+57)
  • moderately lightened the blacks (+31)
  • added clarity (+36)
  • increased vibrance (+26)

The next stop was the HSL tab. Given that the colours are important to this image I spent quite a time on these settings, making adjustments to each of hue, saturation and luminance. I should emphasise that the settings I am sharing are what I ended up with and the numbers are pretty much irrelevant other than to give you a sense of the relative amount of adjustment I was making. The process was very much one of observation, trial and error to get to what I felt looked good and close to what my eyes saw at the moment of taking the picture. So, to HSL.

  • Hue – I pulled back the hue settings on each of:
    • orange (-29)
    • yellow (-27)
    • purple (-22)
    • magenta (-27)
  • Saturation – I made the following adjustments:
    • red (+4)
    • orange (+20)
    • yellow (+16)
    • purple (+29)
    • magenta (+20)
  • Luminance – I made the following adjustments:
    • orange (-11)
    • yellow (+24)
    • purple (+42)
    • magenta (+27)

Finally, I sharpened using the Detail tab. I tend to go carefully here and use the masking slider to make sure I only sharpen what I want. Here’s a tip – if you hold the Alt key while adjusting the masking slider it shows you exactly what will be sharpened (only the white areas). With that in mind here are the final settings under detail:

  • amount (59)
  • radius (1)
  • detail (25)
  • masking (92)
  • luminance (36)
  • detail (50)
  • contrast (11)

And that’s it. Please note though, that interesting though this might be every image is different and when editing you need to be the one making the decisions based on how you want the final image to look. My aim in sharing the above is only to give you a sense of what I adjusted and, relatively, by how much. In working on photos I never look at the number values of the adjustments, only at the visual effect of what I’m doing,

Generally my editing is much lighter than the treatment this image got and for the most part, the accumulation of small adjustments is what makes the biggest difference.

Shadows and textures

It’s amazing what sometimes catches the eye making you stop and look closer. This morning when out walking the dog on a favourite route among the trees, I was enjoying once again the way light filtered through the leaves when I spotted strong light falling on a tree trunk casting clear leaf shadows onto the bark. I had to stop and take a closer look and became captivated by the number of textures I was seeing: light and shade, colour, contour, shape, rough and smooth.

The only camera I had in my possession was on my smart-phone, so I took the chance to take a shot and see what I could do with it. This shot was processed firstly in my phone using Lightroom CC then I picked it up back at base in Lightroom Classic on my computer where I made some fine tuning adjustments I just could not do on the phone.

leaves, shadows, bark, tree, textures, colours, nature

I love images with texture and, for me, that’s the main feature of this shot. Compositionally, it could be argued that the photo lacks a clear subject so there’s no natural place for the eye to settle and therefore you end up scanning round the image. Well, for me, that’s just fine as it hopefully helps you to appreciate the textures which are, in a sense, the subject of this image.

In any event, I like it and I hope you do too. If you like enough, you can buy a fine art print here.

 

I had no idea…

Well, it’s been a busy week with all manner of boring (but necessary) admin tasks to attend to and yesterday evening I realised I didn’t have a subject when I intended to write a blog post today. I decided, therefore, to take the initiative and head out with my camera and no clear idea as to what I would shoot.

Inspired by some shots my family had taken on a trip to Elie in the East Neuk of Fife, and  only a short drive from home, I set out for there to see what might be on offer photographically. As I prepared to leave, the dog was giving me “the look” which was enough to persuade me to take her along. If nothing else, the evening air would be good for both of us.

I parked up near the Fife Coastal Path and headed out towards Elie Ness Lighthouse. There was nothing really catching my attention there so I carried on round to Lady’s Tower, an old stone edifice built in 1760 apparently as a changing room for Lady Anstruther who liked to bathe in the shelter of the rocks just below. It’s said that a bell would be rung to warn the locals to stay away while she was bathing.

The evening sun was getting a little lower in the sky, casting a warm glow on the stone of the tower and the rocks below. I tried a few shots around the tower before setting up with ND filters to get some soft water effects as the sea washed over the rocks. At the time, I wasn’t all that convinced that I was getting shots I would be happy with, but opening them up in Lightroom and doing some editing got better results than I had expected. I was by that time, however, thinking that my blog post would be about a forlon trip when nothing really presented itself as a pleasing image that would be “a keeper”. And that happens – often. Just like fishermen, photographers come home with tales of the one that got away, or the one that actually never was.

I was preparing to settle for this just being a nice time out with the dog, taking some photos and enjoying the sea air on a pleasant summer evening – not a bad outcome – and was thinking about stopping by a bench to pack my camera away when I spotted this….

grasses in the sunset

sunset grasses

This is actually the last of three shots that I took of this scene. What immediately attracted me was the warm glow of the sun which was casting a more diffused light having been partially obscured by clouds. It was the beautiful golden light that was capturing my imagination.

Shot 1 – was very bog standard – wide, capturing the whole scene and very much the typical sunset type of photograph. It was my shot in the can, if you like; something to have that could probably be worked on a little in post.

Shot 2 – was cropped in a little, by zooming to a longer focal length and focused on the background. I felt that was a better composition. With landscapes, it’s easy to stay with the grand vista, but there is often great merit in homing in on a specific feature, or aspect of the scene.

Shot 3 – the one above. This time I decided to keep the same basic framing as shot 2 but this time to focus on the grasses in the foreground and throw the wider “grand vista” out of focus. I’m pleased with it as the grasses make for a good point of interest, provide a leading line and frame the highlight on the water.

All of the processing was done in Lightroom with the intention of using as light a touch as possible, which consisted of a slight warming of the colour temperature and some minimal and local highlight dampening.

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This photograph is available to buy as a print from my website.  Sales allow me to keep doing what I do.

Be inspired and keep those shutters firing.

Seeing the familiar differently

This is a tag-line I sometimes use in connection with my photography so I thought it might be interesting to share an example of how that finds expression.

A couple of days ago I set out to do two things at the same time – yes, I was feeling ambitious. My plan was to take the dog for a walk and also to photograph some of the  rhododendron collection at Balbirnie Park near Markinch in Fife. So, off I went with dog, camera bag, tripod and the rather essential poo bags.

I had no preconceived ideas about how I would photograph the rhododendrons but as always, wanted to stay open for possibilities.

In the interest of getting something “in the can” a fired off a few fairly traditional  shots such as this one.

Rhododendron Collection

Rhododendrons

Now, there’s nothing inherently wrong with this, but it’s just like so many other shots we’ve probably all seen of rhododendrons and other flowering shrubs and trees. There’s nothing here that would make this stand out from the crowd – it’s an example of seeing the familiar familiarly.

I went in search of something different and took some tight shots of the blossom but, again, it had a familiarity about it. As I wandered the pathways I became aware of one that branched off from the denoted path but still looked like one that was established. It led down through the trees and as I explored this I was met with the attractive sight of red rhododendron blossom lying on the ground and lit through the surrounding trees by shafts of daylight. This was a shot I felt I should have.

Fallen rhododendron blossom

Rhododendron blossom

In terms of photographing rhododendrons, this would probably not sit on it’s own, but rather within a wider set. What I like is that it is suggestive of the rhododendron and the fallen blossom is a reminder that the season in bloom is a short one. It is also, I think, a good example of seeing the familiar differently.

For me, it’s important to keep my eyes open and be ready to see things from different angles and perspectives. This is where we can find those images and compositions that stand out from the crowd.

Seizing the moment

fallen tree - patterns and colours

Deadwood

This is one of those opportunistic shots. I was out walking the dog when I passed a fallen tree and was immediately struck with the lines, patterns and colours in the bark of this dead wood.

I was armed only with my iPhone but wanted to capture this image. The more I look at it, the more I am drawn in to it and the more I see. It simply intrigues me and makes me think that even in decay there is beauty.

I shot it in a square format as my original thought was to post it on Instagram, which I have done, but I also wanted to say something about it, hence this blog post.

There’s a lesson here about always being interested in one’s surroundings as sometimes compositions or images just make themselves available to you. This is one such example of seizing the moment. And it really doesn’t matter all that much if you don’t have your “proper” camera with you – the photographer is more important – though a camera of some sort is still essential!

I like this one so much, I’ve added to my website so it’s available as a print. So, if you fancy having this on your wall, feel free to go and place an order.

 

Making the most of it

I went to the seaside recently on what was a fairly calm but uninspiring day. I did have a definite plan, though. My aim was to shoot a minimalist seascape and see if I could make it interesting whilst lacking a major feature or subject within the frame.

This is what I ended up with.

beach sea and sky

deep blue

But it’s not how things began.

Here’s the original RAW file as it came out of the camera.

unedited seascape

seascape

I could see some potential in this, but as I’d been shooting towards the light, the colours are muted and the picture is pretty flat and lacking in contrast. I also felt that there are distractions here that would be better removed.

I liked the faint leading lines in the wet sand which are complemented by the small raised sandy patches helpfully pointing towards a vanishing point roughly mid-frame. Compositionally, I thought there was enough going on here to be interesting without a major subject. However, the small stalks of seaweed rising from the sand were a distraction was the drilling rig to the right of frame. I also wanted to remove the slight piece of lens flare to the left of frame. It was also clear that if this image was going to work, it needed to have a better colour treatment and some more contrast.

To achieve what I had in mind I was going to need me to work with both Lightroom and Photoshop. The danger I wanted to avoid was ending up with something that looked like it was on steroids – I wanted a natural look, so the job was more about recovering the image to something close to what I actually saw, whilst also getting rid of the distractions.

I started in Lightroom and, following my usual work flow, made the usual lens correction and ticked for removing chromatic aberration. After that I added a little dehaze to bring in some contrast before making a slight adjustment to the contrast setting itself. I find the dehaze feature more helpful with shots into the light. After that it was a case of reducing the highlights enough to prevent the left of frame area looking too thin and making a slight compensating adjustment to the overall exposure. That didn’t quite achieve what I wanted so I added a graduated filter running vertically and extending in from left of frame. Within that I made local adjustments (quite finely) for exposure and highlights.  I finished my work in Lightroom by adjusting the colour temperature to cool it a little and bring back some of the blue. I also slightly adjusted the saturation of blue and aqua in the HSL setting, adjusting for both hue and saturation. All of this with the lightest touch I felt I could get away with to achieve the effect I wanted.

Then it was over to Photoshop to deal with the distractions. After making a duplicate layer to work on, I removed the distractions I wanted by first using the content aware fill and then refining where necessary with a little cloning. Finally, I ran a high pass to sharpen the overall image.

In the end, I am happy with what I finally produced. I think I managed to achieve something very close to what I saw with my eyes on location. In short, I think I managed to make the most of it.