coming and going
It was one of those days; cloudy, overcast and heavily humid producing a very diffused light. Well, having gone to Westonbirt arboretum with the idea of taking photographs it was time to be creative and not wasteful.
Walking through, my eye was caught by the meander of this path and the conditions had me thinking of people appearing in to and out of heavy mist. That in turn led to the idea of someone walking into shot and out of shot as though appearing and returning from nowhere. Very quickly I had the idea in my head of a finished piece with two images of the same scene showing someone coming and going. It was then just a case of creating it.
I knew I would have to work with layers in Photoshop, so this meant shooting a consistent background by mounting my camera on a tripod. I then used manual settings for exposure, locked that off, set focus and switched off the autofocus. Then it was a case of taking a number of shots of my obliging model walking towards and away from camera. I made adjustments in Lightroom which I then batched to the other images to keep the scene consistent. The final effect was achieved in Photoshop using layer masks and different opacity settings.
I’m reasonably pleased with the result which is very close to what I first imagined.
Kelpies – Magritte style
This is rather rough and ready but an experiment in Photoshop to make an image in an homage to Rene Magritte, a surrealist artist from Belgium noted for pop and conceptual art. His paintings were often very minimalist and sometimes featured a sense of absence or unnatural juxtaposition in some form or other.
This image featuring The Kelpies is inspired by Magritte’s painting of a man in a hat facing away beside a transparent outline of himself in which the full figure blocks the background and the transparent one reveals it. In Magritte’s painting a curtain provides the backdrop to the cut-out figure which allows it to appear. In this Kelpies image I opted to screen the whole image apart from the figures and the see-through to the Kelpies in the background.
The final image is a composite of two photographs taken on location. My camera was tripod mounted to provide a secure and consistent framing across both images. For the shot of the figure the focus was on the figure but there was never going to be enough depth of field to keep the Kelpies in focus too. The second shot, from the same tripod set-up focused on the Kelpies. The rest of the work was in Photoshop using layers and a mask.
With more time, I’ll work on this approach a little more and aim for a much more refined end product, but as a trial piece, I’m happy to have proved the principle.