For the past three days I have been pretty much snowed in, thanks to the so-called “beast from the east”, a weather system originating in a polar vortex, apparently, which has brought sub-zero temperatures and very strong winds driving a dry powder snow. There are, therefore, lots of snow drifts. Where I live, in Fife, there have been no public service transport services these three days as we have gone from the Met Office issuing an amber warning to a red warning and back to amber. It can sound dramatic, but you just have to be sensible and in the midst of this I have a dog which needs to get out for exercise and “comfort” breaks.
This morning, whilst the wind was still strong there was much less snow in the air, so I decided to take my camera along for the walk to see what might be around and worth shooting. I was, if I’m honest, hoping to see some deer and other wildlife but, sadly, all I saw were some tracks in the snow where the deer had been. And so we pressed on with the walk and I started looking around for something in the intimate landscape that might be worth shooting. To be honest, the wider landscape was a world of grey and white, made all the more blurry by the now blowing snow.
Here though are a couple of shots I took this morning which I thought I’d share with you and say something about them.
This is the first of the shots I though worthy of doing something with. It’s one of those compositions that just appeared unexpectedly. What I liked was the contrast of the bare wood from the dead tree against the darker background. With the snow being blown across the scene, I felt that a shutter speed just fast enough to minimise camera shake (I had to hand-hold and I was cold) but slow enough to slightly blur the flakes would potentially add some interest. I’m quite pleased with the result which is very close to what I envisaged at the time. For me, the effect of the snow adds a kind of impressionistic painterly effect to the shot which I find rather pleasing and the dead wood seems to stand defiantly against the elements. The two broken inwardly pointing branches also add a kind of framing and connection to the composition.
The route that I took this morning follows the line of a disused railway and I was still reflecting on the deer tracks and bemoaning not seeing any when I came across the railway; “aha”, I thought “tracks in the snow”…
Here, the old railway tracks were visible being in a more sheltered location. There was little colour on display here so, from the outset, I envisaged this as a monochrome composition. I did, as always though, shoot in colour so that I had full control in post over how this rendered out to mono. I like the leading lines of the tracks taking the eye through the composition as they curve off towards the top of the frame. One of the challenges in getting this shot was keeping the dog out of it and having pristine snow laying between the rails.
In post, I decided to add a slight blue colour cast to the image, just to add to the wintry feel of cold steel meandering through the snowy landscape.
Between taking these shots and getting to work in Lightroom, there was the small task of digging out the car and clearing the drive, but I think I managed to make the most of it.