Tag Archives: art

I had no idea…

Well, it’s been a busy week with all manner of boring (but necessary) admin tasks to attend to and yesterday evening I realised I didn’t have a subject when I intended to write a blog post today. I decided, therefore, to take the initiative and head out with my camera and no clear idea as to what I would shoot.

Inspired by some shots my family had taken on a trip to Elie in the East Neuk of Fife, and  only a short drive from home, I set out for there to see what might be on offer photographically. As I prepared to leave, the dog was giving me “the look” which was enough to persuade me to take her along. If nothing else, the evening air would be good for both of us.

I parked up near the Fife Coastal Path and headed out towards Elie Ness Lighthouse. There was nothing really catching my attention there so I carried on round to Lady’s Tower, an old stone edifice built in 1760 apparently as a changing room for Lady Anstruther who liked to bathe in the shelter of the rocks just below. It’s said that a bell would be rung to warn the locals to stay away while she was bathing.

The evening sun was getting a little lower in the sky, casting a warm glow on the stone of the tower and the rocks below. I tried a few shots around the tower before setting up with ND filters to get some soft water effects as the sea washed over the rocks. At the time, I wasn’t all that convinced that I was getting shots I would be happy with, but opening them up in Lightroom and doing some editing got better results than I had expected. I was by that time, however, thinking that my blog post would be about a forlon trip when nothing really presented itself as a pleasing image that would be “a keeper”. And that happens – often. Just like fishermen, photographers come home with tales of the one that got away, or the one that actually never was.

I was preparing to settle for this just being a nice time out with the dog, taking some photos and enjoying the sea air on a pleasant summer evening – not a bad outcome – and was thinking about stopping by a bench to pack my camera away when I spotted this….

grasses in the sunset

sunset grasses

This is actually the last of three shots that I took of this scene. What immediately attracted me was the warm glow of the sun which was casting a more diffused light having been partially obscured by clouds. It was the beautiful golden light that was capturing my imagination.

Shot 1 – was very bog standard – wide, capturing the whole scene and very much the typical sunset type of photograph. It was my shot in the can, if you like; something to have that could probably be worked on a little in post.

Shot 2 – was cropped in a little, by zooming to a longer focal length and focused on the background. I felt that was a better composition. With landscapes, it’s easy to stay with the grand vista, but there is often great merit in homing in on a specific feature, or aspect of the scene.

Shot 3 – the one above. This time I decided to keep the same basic framing as shot 2 but this time to focus on the grasses in the foreground and throw the wider “grand vista” out of focus. I’m pleased with it as the grasses make for a good point of interest, provide a leading line and frame the highlight on the water.

All of the processing was done in Lightroom with the intention of using as light a touch as possible, which consisted of a slight warming of the colour temperature and some minimal and local highlight dampening.

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This photograph is available to buy as a print from my website.  Sales allow me to keep doing what I do.

Be inspired and keep those shutters firing.

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Changing your point of view

When you are prepared to change your point of view, things sometimes just look better.

“Better”, of course, is subjective and what I think is better, someone else might not. The point, photographically, is that it’s always worth scouting around a subject and not just accepting the first view offered. To illustrate this, here’s an example.

Recently my wife and I were exploring the East Neuk of Fife and we had parked by the harbour in Anstruther. As we walked towards neighbouring Cellardyke we were faced by this intriguing sculpture virtually on the border between the two towns and giving a clear indication of their fishing tradition.

sculpture of fish, nets and boats

A fishing heritage

This photo was taken exactly in the direction we were facing as we approached. My concern at the time was to try to frame the shot so that the fish were nicely contrasted against the white wall of the house behind. Fair enough, but at the time I thought, “pretty standard stuff”. It shows context and is maybe the kind of shot that would make it into a brochure advertising the area.

I didn’t find it all that satisfying at the time, and thought there must be something different to be had here. As you can perhaps detect from the picture, the light was from behind and left. This was evening and the sun was going down.

I’m generally on the look out for different views and perspectives (seeing the familiar differently) so I did what now comes fairly naturally and walked round the sculpture to see what other views had to offer. And that led to this:

sculpture of fish, nets and boats in close-up

fishing heritage

Now, I find this much more creatively and artistically satisfying. This was taken from the other side of the sculpture, looking back towards where the previous one was shot from. Now we are shooting much more into the light and creating more contrast. I decided to get in close and fill the frame with the fish and net. The lamp posts in the background are enough to indicate that this is outside and I deliberately chose a wide aperture here to minimise depth of field and throw them out of focus. In post, I was tempted to emphasise the contrast and go for a black and white finish,  but I like the subtle colour in the evening sky and, when you look, there are also subtle hues to be picked up on the sculpture. I thought it was worth preserving those and adding to the interest.

So there we have it. Changing your point of view when photographing a subject can radically alter how you portray it. I said at the start that when you do this things sometimes just look better. Well, I have my preference, but what do you think? I’d be fascinated to see some comments.

Of course, much depends on what you are shooting the image for – there’s my caveat.

 

 

Seizing the moment

fallen tree - patterns and colours

Deadwood

This is one of those opportunistic shots. I was out walking the dog when I passed a fallen tree and was immediately struck with the lines, patterns and colours in the bark of this dead wood.

I was armed only with my iPhone but wanted to capture this image. The more I look at it, the more I am drawn in to it and the more I see. It simply intrigues me and makes me think that even in decay there is beauty.

I shot it in a square format as my original thought was to post it on Instagram, which I have done, but I also wanted to say something about it, hence this blog post.

There’s a lesson here about always being interested in one’s surroundings as sometimes compositions or images just make themselves available to you. This is one such example of seizing the moment. And it really doesn’t matter all that much if you don’t have your “proper” camera with you – the photographer is more important – though a camera of some sort is still essential!

I like this one so much, I’ve added to my website so it’s available as a print. So, if you fancy having this on your wall, feel free to go and place an order.

 

Something new

So, it’s been a little while since I last posted. What, you might ask, have I been up to?

Well, let me tell you.

rocky mountian peaks French Alps Chamonix

Alpine peaks

First of all, I was not away taking this photograph. It’s one from the archive, but it does feature in my new website as one of the images I now have for sale as a fine art print.

Perhaps you have now guessed – I have been busy building a new website to better reflect my business as a photographer. I have long wanted to sell prints and now have that opportunity through my new website where I will be adding to the range of images available for sale. For the moment, it’s landscapes but I think I will be adding at least one more category.

So, if you like my work and would be happy to see it on your wall, then go have a look at what’s currently available as landscapes within Fine Art Prints. All ordering and payments on my website is secure and payments are handled through PayPal – and there’s no need to have a PayPal account.

While you are there, feel free to browse my website and see what else I do.

I don’t promise that this will be my last sales pitch but I don’t anticipate any more any time soon and we’ll get back to blogging on photography more generally.

In the meantime, keep those shutters firing.

Making the most of it

I went to the seaside recently on what was a fairly calm but uninspiring day. I did have a definite plan, though. My aim was to shoot a minimalist seascape and see if I could make it interesting whilst lacking a major feature or subject within the frame.

This is what I ended up with.

beach sea and sky

deep blue

But it’s not how things began.

Here’s the original RAW file as it came out of the camera.

unedited seascape

seascape

I could see some potential in this, but as I’d been shooting towards the light, the colours are muted and the picture is pretty flat and lacking in contrast. I also felt that there are distractions here that would be better removed.

I liked the faint leading lines in the wet sand which are complemented by the small raised sandy patches helpfully pointing towards a vanishing point roughly mid-frame. Compositionally, I thought there was enough going on here to be interesting without a major subject. However, the small stalks of seaweed rising from the sand were a distraction was the drilling rig to the right of frame. I also wanted to remove the slight piece of lens flare to the left of frame. It was also clear that if this image was going to work, it needed to have a better colour treatment and some more contrast.

To achieve what I had in mind I was going to need me to work with both Lightroom and Photoshop. The danger I wanted to avoid was ending up with something that looked like it was on steroids – I wanted a natural look, so the job was more about recovering the image to something close to what I actually saw, whilst also getting rid of the distractions.

I started in Lightroom and, following my usual work flow, made the usual lens correction and ticked for removing chromatic aberration. After that I added a little dehaze to bring in some contrast before making a slight adjustment to the contrast setting itself. I find the dehaze feature more helpful with shots into the light. After that it was a case of reducing the highlights enough to prevent the left of frame area looking too thin and making a slight compensating adjustment to the overall exposure. That didn’t quite achieve what I wanted so I added a graduated filter running vertically and extending in from left of frame. Within that I made local adjustments (quite finely) for exposure and highlights.  I finished my work in Lightroom by adjusting the colour temperature to cool it a little and bring back some of the blue. I also slightly adjusted the saturation of blue and aqua in the HSL setting, adjusting for both hue and saturation. All of this with the lightest touch I felt I could get away with to achieve the effect I wanted.

Then it was over to Photoshop to deal with the distractions. After making a duplicate layer to work on, I removed the distractions I wanted by first using the content aware fill and then refining where necessary with a little cloning. Finally, I ran a high pass to sharpen the overall image.

In the end, I am happy with what I finally produced. I think I managed to achieve something very close to what I saw with my eyes on location. In short, I think I managed to make the most of it.

What lies beyond

It’s a grey, wet miserable day and I am not out shooting. So, by way of a break from the boring but necessary admin work, here’s one from the archive.

mountains, landscape, clouds, vista, valley

revelation

This is a favourite of my landscape shots and is one I keep returning to. I just love it. This was shot on 20 September 2008 during a special trip to the French Alps. It’s one of those completely serendipitous unplanned shots. My wife and I were returning to our hotel in Chamonix from a visit to Evian on the shore of Lake Geneva when we stopped for a break at a service station. I was aware that there was a degree of elevation where we were and headed, more in hope than expectation, between the parked-up lorries to see what kind of view might be on offer. At first, I was met with a very dull scene but, very quickly, the clouds started parting and the revelation was simply breathtaking.

I love the theatrical nature of this image, the clouds being drawn back like curtains to reveal the main attraction. Honestly, you could have sold tickets for this.

Apart from the memories this image evokes, I really like the composition of three main elements: the cold clear crispness of the mountains; the softness of the cloud  and the lush verdant valley below.

This image also works for me on a philosophical level and is a reminder that there is always something better lying beyond the clouds that face us at any given time.

 

A location product shoot

I thought it might be interesting to write about a little product shoot I did earlier this week which was done on location in The Lemon Tree cafe in Leven.

There are  pros and cons in doing a location shoot. Probably the biggest downside is not having use of a studio and therefore full control of the lighting. The upside, however, is that as this is food product, it was all prepared fresh and looked at it’s best.

So here’s a look at the basic set-up I used (which I shot on my phone)

camera and lighting set-up

set-up

I asked to use a table at the feature window as it would provide good diffused light to flood the various subjects. This was especially effective as the sun was at around 90 degrees to the window which meant no direct light and the harsh shadows that would come with it. I then used two artificial light sources. As can be seen in the set up above, I used a tripod mounted flash with a soft box. I balanced this with a small continuous LED which is hiding behind the camera. The LED was mounted on a Gorilla Pod for ease and flexibility of positioning.

As you an see, the flash was triggered via a cabled connection to the camera hot shoe. As there were three different light sources working together, I set the camera white balance to auto with the intention of adjusting this in post if necessary. In the end it only needed a very small adjustment.

I opted for aperture priority on the camera and set the flash to manual operation. Using a couple of test shots to get the lighting I wanted, I made adjustments to the flash output, shooting at a reduced power. The soft box was to make sure I had a diffused light which was not overpowering the background natural daylight. The LED has three output settings and, again, the test shots allowed me to find the optimum balance of light between the LED and the flash.

I shot at f8 which is pretty much around the sweet spot of the lens I was using. I wanted to have a nice sharp focus exactly where I chose and with just enough depth of field. To keep things nice and steady I used a cable release for the camera – it’s sensible when you go to the bother of using a tripod. If you don’t have a cable release, the next best option is to use a two second delay on the shutter release.

By now, you might be wondering how the shots turned out. Well, here’s one with the same subject as in the set up above:

cafe sandwich

Lemon chicken sandwich

What you might spot here is that the LED became a principal light – note the shadow from the salad – with natural daylight providing the background flood with reduced power flash filling shadows and picking out highlights.

Post production was mostly done in Lightroom. As I wanted to have a consistent feel across all the images, I created a pre-set out of the settings I used on the first one I processed and used that as a basis for all the others, requiring only minimal adjustments in each case, I know you can sharpen in Lightroom and I generally do so preferring to use heavy masking to make sure I only sharpen what I want to. On this occasion though, I sharpened the images in Photoshop using a High Pass set to 5 pixels.

If you are curious about the LED, as you can’t see it in the set-up shot above, here it is as mounted on my Gorilla Pod.

small fill light

LED light

And finally, I should say that the Lemon Chicken sandwich was delicious. If you ever find yourself in Leven, make a point of visiting The Lemon Tree. The cakes are also amazing!

You can see some of the other product shots and more here on my website.