Tag Archives: art

A personal project

Here we are behind the scenes at an outdoor photo shot for a personal project which I intend will result in a set of themed images. A little more on that later, let me first tell you about the planning and the shoot.

It’s easy to think of photography as just pointing a camera at a subject and taking a photo. Of course, if you’ve done more serious photography you know about the need to compose the shot, decide on your camera settings, desired depth of field and all that stuff. When it comes to realising an idea the amount of time behind the camera becomes such a small part of the whole process.

For a while I have been thinking about a concept for a series of images. At the moment I have no idea how many that might stretch to as it all depends on how creative I can be in exploring and illustrating the theme. A few months ago I had one very definite image I wanted to create and that was the driver for this photo shoot. I was clear in my own mind what I wanted to express in the image, how the composition would look, where it should be shot and what the general look of the image would be. To make that happen, I needed several things to come together:

  • some assistance
  • a couple of models
  • the right props – a card table, two chairs, a deck of cards, the relevant costumes a picture frame
  • and not least, a low or receding tide coinciding with either sunrise or sunset

This took weeks of planning through the summer and I realised that August was probably going to be the prime time to get the shot. During the planning, I developed another couple of ideas on the same theme, which meant that I could aim to create three or four images out of the one shoot.

While negotiating with friends, aiming to persuade them to help/model for me, I set about looking at tide charts and comparing those with times for sunrise and sunset to find the optimum dates on which to get the shoot done. A narrow window of opportunity appeared and a shoot time was set for 8pm on Tuesday 9 August. Sunset was due at 9pm and the tide would be receding, leaving me the wet sand I was looking for.

After a very dry summer, the days leading up the shoot were overcast and wet – it was entirely possible that the shoot would need to be abandoned if the weather didn’t improve. On the day of the shoot, the morning was wet and windy but the forecast showed this passing with sunny intervals appearing from around 7pm and, thankfully, the forecast was right.

So we set out a tarpaulin on the beach (sand and salty water are no friends to photographic equipment) in order to keep all the important things as well protected as possible.

And now, I am warmly sat before my computer doing the post-shoot editing and processing. This is definitely going to take longer that the shoot, but hopefully I will end up with some inspiring themed images which will be available as fine art prints.

The theme, I will tell you, is an exploration of the concept of absence. Perhaps my next blog post will be something about the creative process for this and maybe something on the editing work – what would you like? Please let me know by leaving a comment, or feel free to ask a question and I’ll do my best to pick those up in a future post.

Meantime I am grateful to my friend, Abbie Nelson, for the behind the scenes photos (above) and for helping me in bringing the shoot to reality.

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Shadows and textures

It’s amazing what sometimes catches the eye making you stop and look closer. This morning when out walking the dog on a favourite route among the trees, I was enjoying once again the way light filtered through the leaves when I spotted strong light falling on a tree trunk casting clear leaf shadows onto the bark. I had to stop and take a closer look and became captivated by the number of textures I was seeing: light and shade, colour, contour, shape, rough and smooth.

The only camera I had in my possession was on my smart-phone, so I took the chance to take a shot and see what I could do with it. This shot was processed firstly in my phone using Lightroom CC then I picked it up back at base in Lightroom Classic on my computer where I made some fine tuning adjustments I just could not do on the phone.

leaves, shadows, bark, tree, textures, colours, nature

I love images with texture and, for me, that’s the main feature of this shot. Compositionally, it could be argued that the photo lacks a clear subject so there’s no natural place for the eye to settle and therefore you end up scanning round the image. Well, for me, that’s just fine as it hopefully helps you to appreciate the textures which are, in a sense, the subject of this image.

In any event, I like it and I hope you do too. If you like enough, you can buy a fine art print here.

 

I had no idea…

Well, it’s been a busy week with all manner of boring (but necessary) admin tasks to attend to and yesterday evening I realised I didn’t have a subject when I intended to write a blog post today. I decided, therefore, to take the initiative and head out with my camera and no clear idea as to what I would shoot.

Inspired by some shots my family had taken on a trip to Elie in the East Neuk of Fife, and  only a short drive from home, I set out for there to see what might be on offer photographically. As I prepared to leave, the dog was giving me “the look” which was enough to persuade me to take her along. If nothing else, the evening air would be good for both of us.

I parked up near the Fife Coastal Path and headed out towards Elie Ness Lighthouse. There was nothing really catching my attention there so I carried on round to Lady’s Tower, an old stone edifice built in 1760 apparently as a changing room for Lady Anstruther who liked to bathe in the shelter of the rocks just below. It’s said that a bell would be rung to warn the locals to stay away while she was bathing.

The evening sun was getting a little lower in the sky, casting a warm glow on the stone of the tower and the rocks below. I tried a few shots around the tower before setting up with ND filters to get some soft water effects as the sea washed over the rocks. At the time, I wasn’t all that convinced that I was getting shots I would be happy with, but opening them up in Lightroom and doing some editing got better results than I had expected. I was by that time, however, thinking that my blog post would be about a forlon trip when nothing really presented itself as a pleasing image that would be “a keeper”. And that happens – often. Just like fishermen, photographers come home with tales of the one that got away, or the one that actually never was.

I was preparing to settle for this just being a nice time out with the dog, taking some photos and enjoying the sea air on a pleasant summer evening – not a bad outcome – and was thinking about stopping by a bench to pack my camera away when I spotted this….

grasses in the sunset

sunset grasses

This is actually the last of three shots that I took of this scene. What immediately attracted me was the warm glow of the sun which was casting a more diffused light having been partially obscured by clouds. It was the beautiful golden light that was capturing my imagination.

Shot 1 – was very bog standard – wide, capturing the whole scene and very much the typical sunset type of photograph. It was my shot in the can, if you like; something to have that could probably be worked on a little in post.

Shot 2 – was cropped in a little, by zooming to a longer focal length and focused on the background. I felt that was a better composition. With landscapes, it’s easy to stay with the grand vista, but there is often great merit in homing in on a specific feature, or aspect of the scene.

Shot 3 – the one above. This time I decided to keep the same basic framing as shot 2 but this time to focus on the grasses in the foreground and throw the wider “grand vista” out of focus. I’m pleased with it as the grasses make for a good point of interest, provide a leading line and frame the highlight on the water.

All of the processing was done in Lightroom with the intention of using as light a touch as possible, which consisted of a slight warming of the colour temperature and some minimal and local highlight dampening.

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This photograph is available to buy as a print from my website.  Sales allow me to keep doing what I do.

Be inspired and keep those shutters firing.

Changing your point of view

When you are prepared to change your point of view, things sometimes just look better.

“Better”, of course, is subjective and what I think is better, someone else might not. The point, photographically, is that it’s always worth scouting around a subject and not just accepting the first view offered. To illustrate this, here’s an example.

Recently my wife and I were exploring the East Neuk of Fife and we had parked by the harbour in Anstruther. As we walked towards neighbouring Cellardyke we were faced by this intriguing sculpture virtually on the border between the two towns and giving a clear indication of their fishing tradition.

sculpture of fish, nets and boats

A fishing heritage

This photo was taken exactly in the direction we were facing as we approached. My concern at the time was to try to frame the shot so that the fish were nicely contrasted against the white wall of the house behind. Fair enough, but at the time I thought, “pretty standard stuff”. It shows context and is maybe the kind of shot that would make it into a brochure advertising the area.

I didn’t find it all that satisfying at the time, and thought there must be something different to be had here. As you can perhaps detect from the picture, the light was from behind and left. This was evening and the sun was going down.

I’m generally on the look out for different views and perspectives (seeing the familiar differently) so I did what now comes fairly naturally and walked round the sculpture to see what other views had to offer. And that led to this:

sculpture of fish, nets and boats in close-up

fishing heritage

Now, I find this much more creatively and artistically satisfying. This was taken from the other side of the sculpture, looking back towards where the previous one was shot from. Now we are shooting much more into the light and creating more contrast. I decided to get in close and fill the frame with the fish and net. The lamp posts in the background are enough to indicate that this is outside and I deliberately chose a wide aperture here to minimise depth of field and throw them out of focus. In post, I was tempted to emphasise the contrast and go for a black and white finish,  but I like the subtle colour in the evening sky and, when you look, there are also subtle hues to be picked up on the sculpture. I thought it was worth preserving those and adding to the interest.

So there we have it. Changing your point of view when photographing a subject can radically alter how you portray it. I said at the start that when you do this things sometimes just look better. Well, I have my preference, but what do you think? I’d be fascinated to see some comments.

Of course, much depends on what you are shooting the image for – there’s my caveat.

 

 

Seizing the moment

fallen tree - patterns and colours

Deadwood

This is one of those opportunistic shots. I was out walking the dog when I passed a fallen tree and was immediately struck with the lines, patterns and colours in the bark of this dead wood.

I was armed only with my iPhone but wanted to capture this image. The more I look at it, the more I am drawn in to it and the more I see. It simply intrigues me and makes me think that even in decay there is beauty.

I shot it in a square format as my original thought was to post it on Instagram, which I have done, but I also wanted to say something about it, hence this blog post.

There’s a lesson here about always being interested in one’s surroundings as sometimes compositions or images just make themselves available to you. This is one such example of seizing the moment. And it really doesn’t matter all that much if you don’t have your “proper” camera with you – the photographer is more important – though a camera of some sort is still essential!

I like this one so much, I’ve added to my website so it’s available as a print. So, if you fancy having this on your wall, feel free to go and place an order.

 

Something new

So, it’s been a little while since I last posted. What, you might ask, have I been up to?

Well, let me tell you.

rocky mountian peaks French Alps Chamonix

Alpine peaks

First of all, I was not away taking this photograph. It’s one from the archive, but it does feature in my new website as one of the images I now have for sale as a fine art print.

Perhaps you have now guessed – I have been busy building a new website to better reflect my business as a photographer. I have long wanted to sell prints and now have that opportunity through my new website where I will be adding to the range of images available for sale. For the moment, it’s landscapes but I think I will be adding at least one more category.

So, if you like my work and would be happy to see it on your wall, then go have a look at what’s currently available as landscapes within Fine Art Prints. All ordering and payments on my website is secure and payments are handled through PayPal – and there’s no need to have a PayPal account.

While you are there, feel free to browse my website and see what else I do.

I don’t promise that this will be my last sales pitch but I don’t anticipate any more any time soon and we’ll get back to blogging on photography more generally.

In the meantime, keep those shutters firing.

Making the most of it

I went to the seaside recently on what was a fairly calm but uninspiring day. I did have a definite plan, though. My aim was to shoot a minimalist seascape and see if I could make it interesting whilst lacking a major feature or subject within the frame.

This is what I ended up with.

beach sea and sky

deep blue

But it’s not how things began.

Here’s the original RAW file as it came out of the camera.

unedited seascape

seascape

I could see some potential in this, but as I’d been shooting towards the light, the colours are muted and the picture is pretty flat and lacking in contrast. I also felt that there are distractions here that would be better removed.

I liked the faint leading lines in the wet sand which are complemented by the small raised sandy patches helpfully pointing towards a vanishing point roughly mid-frame. Compositionally, I thought there was enough going on here to be interesting without a major subject. However, the small stalks of seaweed rising from the sand were a distraction was the drilling rig to the right of frame. I also wanted to remove the slight piece of lens flare to the left of frame. It was also clear that if this image was going to work, it needed to have a better colour treatment and some more contrast.

To achieve what I had in mind I was going to need me to work with both Lightroom and Photoshop. The danger I wanted to avoid was ending up with something that looked like it was on steroids – I wanted a natural look, so the job was more about recovering the image to something close to what I actually saw, whilst also getting rid of the distractions.

I started in Lightroom and, following my usual work flow, made the usual lens correction and ticked for removing chromatic aberration. After that I added a little dehaze to bring in some contrast before making a slight adjustment to the contrast setting itself. I find the dehaze feature more helpful with shots into the light. After that it was a case of reducing the highlights enough to prevent the left of frame area looking too thin and making a slight compensating adjustment to the overall exposure. That didn’t quite achieve what I wanted so I added a graduated filter running vertically and extending in from left of frame. Within that I made local adjustments (quite finely) for exposure and highlights.  I finished my work in Lightroom by adjusting the colour temperature to cool it a little and bring back some of the blue. I also slightly adjusted the saturation of blue and aqua in the HSL setting, adjusting for both hue and saturation. All of this with the lightest touch I felt I could get away with to achieve the effect I wanted.

Then it was over to Photoshop to deal with the distractions. After making a duplicate layer to work on, I removed the distractions I wanted by first using the content aware fill and then refining where necessary with a little cloning. Finally, I ran a high pass to sharpen the overall image.

In the end, I am happy with what I finally produced. I think I managed to achieve something very close to what I saw with my eyes on location. In short, I think I managed to make the most of it.