Tag Archives: portrait

Pic of the week – Thursday 9 May 2019

Healing Hands
Healing Hands

Adding value

It’s a fine balance set against delivering on a brief, but I believe that one of the added values a professional photographer should bring to work for a client is creative input. So, let me share the story of this one of a set, which I really like.

This is Sharon who asked me if I could do some head shots of herself and the staff at Healing Hands Wellness Centre in Glenrothes. Sharon was looking for photos that would be an improvement on the ones already in place and was thinking of the standard head shot approach. There’s nothing wrong with that but I wondered if she might be open to someting a little more creative which said something about the centre.

I felt that “Healing Hands” was significant in the centre name and ought to be reflected somehow in the head shots. I also have a personal preference to show people in context as much as possible. I had the idea of creating a background shot which illustrated healing hands and put together a mock up of the concept to see what Sharon thought of it. I was pleased when the idea met with her approval and so we agreed on details for doing the shoot.

Each of the head shot images is constructed as this example, with the same background and here’s how they were shot and constructed.

First of all, we shot the background. This involved Sharon and one of her team. The room we shot this in was quite compact and I needed lighting in there along with a camera, tripod and myself. There was only one configration possible for this, which meant me being on the left of the subject with the lighting on the right. I knew this was the wrong way round for the final composition, but it was an easy enough job to flip the image in processing.

I wanted the background image to be muted so that it was very evident but not dominant in the overall composition, This was achieved in Photoshop where I placed a pure white layer under the background image then dropped the opacity of the background image. This was then used for the whole set of head shots.

The portraits were shot in another treatment room which has a pleasing forest image on one wall. I set up a temporary studio there using the feature wall as a backdrop. The lighting for the head shots consisted of two studio lights – one above and behind the subject to add some highlighting to the hair, and one at about 45 degrees from the front as a fill light. The main light was flash bounced into an umbrella reflector.

The final image was completed in Photoshop by blending the portrait shot with the “healing hands” background.

I’m pleased with the final composition and that we have managed to give a fresh expression to corporate head shots. The moral of the story is that we should always be prepared to offer creative suggestions to clients in the interest of adding value to them. Of course, suggestions might not always be accepted – I have experience of that too – but when they are and come off like this, it’s really pleasing.


Advertisements

Pic of the week – Friday 3 May 2019

National Trust Conservator
Conservator

Honouring skill

It’s a good thing to honour skill and craft and this is the first in what I hope to be a series of portraits of skilled craft people doing their thing.

For a while I have been afraid that the educational system, in highly valuing academic ability, might end up devaluing the development of more traditional crafts and skills so I am keen to photograph skilled craft people and give at least some acknowledgement to the abilities which enrich our lives.

This was rather an opportunistic photograph from a visit to Oxburgh Hall, a National Trust property in Norfolk. Fortunately photography was permitted though with the usual restrictions on flash and tripods. There was some significant restoration work underway on the Hall and as I went round I spotted this conservator at work seated in the light of a window.

Fortunately she said she was happy to be photogrpahed when I asked permission. I suppose I could have just taken a shot but I felt, in the circiumstances, it would be polite to ask. A willing subject is so much better.

I was immediately attracted to the general composition, and epecially to the way the lighting from the window was working and the fact that her notepad was acting as a very useful reflector to cast light back up to her face.

This was shot handheld (no tripods allowed) on ISO 250, 1/125 sec at f5.


Mr Bass Man

Mr Bass Man

Mr Bass Man

I took this photograph back in 2011 at a graduation concert. This was no studio shot but the stage lighting lent itself to this low-key treatment. The shot was taken with my camera mounted on a mono pod for some extra stability. The exposure was 1/125 sec at f5.6 with an ISO of 1600.

I wanted a fast enough exposure to minimise camera shake with a focal length of 105mm and I also wanted a shallow depth of field, hence the high ISO. This necessarily introduced some “noise” to the image. I’m not against that per se, but at times it just needs to be managed if it’s distracting. So, here’s a summary of how I processed this image.

As usual I opted to remove chromatic aberration and enable profile corrections under the Lens Corrections tab in Lightroom. After that, I proceeded with as light a touch as I needed to create the final effect I wanted.

In the basic panel I brought the highlights down a touch then lightened the whites and darkened the blacks to just short of the clipping point.I also slightly increased clarity and vibrance, just enough to add a little punch to the colours.

In the HSL panel I made very slight adjustments to the hue, saturation and luminance of the red and orange channels.

Sharpening required more careful attention. Holding down the Alt key to guide myself with the black and white rendering, I increased the masking until I was only going to affect the edges with sharpening. This entailed masking being at 93. I then applied some sharpening (32) with the radius at 0.5 and the detail at 10. Working by eye I increased the noise reduction for luminance until I was happy with how it looked. This ended up at a setting of 24. There was some noticeable colour noise on the bass man’s right forearm so I increased the noise reduction on that until I was happy with the appearance. That resulted in a setting of 27.

And that was it – those are the only adjustments I made to the image that came out of the camera.

This shot is one of my personal favourites as I feel the lighting captures the mood so well.