Tag Archives: work

Pic of the week – Friday 17 May 2019

Strawberry splash
Strawberry drops

Making a splash

This is one from the archive, albeit recently.

It’s a shot from a test set-up for a product shoot in which I was aiming for a low key look with lots of contrast to separate the subject from the background. I also wanted to get a lighting set up which would freeze the action but also be fairly even.

I achieved this by using flash positioned to the right of the subject as we look and, instead of using a reflector as fill, I used a mirror to throw back an almost equal intensity of light. I used a black backdrop and set the subject far enough in front of it to get the most benefit of the inverse squared rule to make sure I kept the background black.

Rather than put my signature watermark on the image itself, I’ve chosen to put it on a border which I think looks less intrusive in this case, I created the border by adjusting the canvass size in Photoshop then adding a white layer.


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Pic of the week – Thursday 9 May 2019

Healing Hands
Healing Hands

Adding value

It’s a fine balance set against delivering on a brief, but I believe that one of the added values a professional photographer should bring to work for a client is creative input. So, let me share the story of this one of a set, which I really like.

This is Sharon who asked me if I could do some head shots of herself and the staff at Healing Hands Wellness Centre in Glenrothes. Sharon was looking for photos that would be an improvement on the ones already in place and was thinking of the standard head shot approach. There’s nothing wrong with that but I wondered if she might be open to someting a little more creative which said something about the centre.

I felt that “Healing Hands” was significant in the centre name and ought to be reflected somehow in the head shots. I also have a personal preference to show people in context as much as possible. I had the idea of creating a background shot which illustrated healing hands and put together a mock up of the concept to see what Sharon thought of it. I was pleased when the idea met with her approval and so we agreed on details for doing the shoot.

Each of the head shot images is constructed as this example, with the same background and here’s how they were shot and constructed.

First of all, we shot the background. This involved Sharon and one of her team. The room we shot this in was quite compact and I needed lighting in there along with a camera, tripod and myself. There was only one configration possible for this, which meant me being on the left of the subject with the lighting on the right. I knew this was the wrong way round for the final composition, but it was an easy enough job to flip the image in processing.

I wanted the background image to be muted so that it was very evident but not dominant in the overall composition, This was achieved in Photoshop where I placed a pure white layer under the background image then dropped the opacity of the background image. This was then used for the whole set of head shots.

The portraits were shot in another treatment room which has a pleasing forest image on one wall. I set up a temporary studio there using the feature wall as a backdrop. The lighting for the head shots consisted of two studio lights – one above and behind the subject to add some highlighting to the hair, and one at about 45 degrees from the front as a fill light. The main light was flash bounced into an umbrella reflector.

The final image was completed in Photoshop by blending the portrait shot with the “healing hands” background.

I’m pleased with the final composition and that we have managed to give a fresh expression to corporate head shots. The moral of the story is that we should always be prepared to offer creative suggestions to clients in the interest of adding value to them. Of course, suggestions might not always be accepted – I have experience of that too – but when they are and come off like this, it’s really pleasing.


Pic of the week – Friday 3 May 2019

National Trust Conservator
Conservator

Honouring skill

It’s a good thing to honour skill and craft and this is the first in what I hope to be a series of portraits of skilled craft people doing their thing.

For a while I have been afraid that the educational system, in highly valuing academic ability, might end up devaluing the development of more traditional crafts and skills so I am keen to photograph skilled craft people and give at least some acknowledgement to the abilities which enrich our lives.

This was rather an opportunistic photograph from a visit to Oxburgh Hall, a National Trust property in Norfolk. Fortunately photography was permitted though with the usual restrictions on flash and tripods. There was some significant restoration work underway on the Hall and as I went round I spotted this conservator at work seated in the light of a window.

Fortunately she said she was happy to be photogrpahed when I asked permission. I suppose I could have just taken a shot but I felt, in the circiumstances, it would be polite to ask. A willing subject is so much better.

I was immediately attracted to the general composition, and epecially to the way the lighting from the window was working and the fact that her notepad was acting as a very useful reflector to cast light back up to her face.

This was shot handheld (no tripods allowed) on ISO 250, 1/125 sec at f5.