Travel retrospective 11 – paddling home

Paddling home

Fisherman

This was shot during a visit to the Indonesian island of Nias in December 2006. It was an extremely hot day and in a break from filming on the beach I had gone for shelter higher up the shore which gave me enough height to spot this lone fisherman making his way back to shore.

I was struck by the effort of paddling back home and the pose of this fisherman seems to capture that. I think the effort is made more visible by the contrast and silhouette created by the contre-jour lighting. When this fisherman had hauled his boat ashore with the help of a friend, I wandered down to see the extent of his catch; a mere three fish. I was struck by realisation of the amount of effort it takes for many people in the world today to scratch out a living and this photo always reminds me of that.

The photo was shot using a Nikon D70s at 1/640 sec on ISO-400 with an aperture of f14 and a focal length of 300mm. The original photograph was in colour and has been converted to mono in Lightroom with minor adjustments to tone and contrast.

 

Travel retrospective 10 – Catching the bus

Bangkok bus

Catching the bus

This was shot in Bangkok from an elevated walkway. It had been raining heavily and, as usual, the roads were busy with traffic. This bus had stopped in the congestion and I noticed a few people run through the traffic to reach it, as it was nowhere near the pavement or bus stop. That seemed to be no obstacle for those wanting to get on.  The woman approaching the bus was the last to make the dash and look of delight on her face indicated just how pleased she seemed to be to be in getting there.

I think the wet road adds an interesting texture to the photograph with small puddles of gathered water and softly reflected shadows. I like the sense of contrast in the story of this picture with the stationary nature of the traffic counterpointing the movement of the people grabbing an opportunity.

The photo was shot using a Nikon D90 at 1/320 sec with an aperture of f5.6 and a focal length of 105mm. The original photograph was in colour and has been converted to mono in Lightroom with minor adjustments to tone and contrast.

 

Travel retrospective 9 – health confidential

Submitting a prescription

Pharmacy

This is how prescriptions are submitted and dispensed at a clinic in Kinshasa, D R Congo. The patient leaves the clinic with a prescription and then goes round the corner into a secluded street where it’s passed through a window to the pharmacist. Once made up the medication is passed out in the same way.

Why should something as simple as this appear so clandestine? Perhaps it’s a security issue, or maybe it’s more to do with the fact that this clinic deals mostly with patients who are HIV positive or have AIDS and perhaps there is a social stigma still associated with that. In truth, I don’t know the answer but it makes me wonder what we do to the dignity and self-respect of people when we end up stigmatising them as a result of a medical condition. It seems, perhaps, that some conditions carry with them a moral judgement making them more serious than others. That hardly seems right.

For this photograph I deliberately chose to shoot the transaction from inside the pharmacy to emphasise the anonymity of the patient.

Travel retrospective 8 – curiosity

An old woman shows interest

Curiosity

It’s curious, sometimes the unexpected just appears before you and proves to be really captivating. I was on my first filming trip with BMS World Mission covering a number of projects in and around Kathmandu, Nepal. On this occasion, we were filming a public health initiative which was focusing on maternal health. Upstairs in a small brick building, babies were being weighed and checked after which there was to be a nutritional cooking demonstration in the yard at the back. I was making my way up the stairs to get some photographs of the baby clinic when I happened to look down into the adjacent property where this elderly woman had appeared and was looking up at the noise coming from the clinic, as babies cried and mothers sang.

I have often wondered what she was thinking, but she has a look of curiosity on her face, Was she struggling with her eyesight and unable to see what she was hearing? Was she fondly remembering being a young mother herself? Was she concerned about something? There’s no way of knowing, but I was immediately struck by her appearance and expression, behind which lies her own personal story. A story we can only guess at but which is real, was lived and experienced.

This photograph was originally shot on Fuji Pro 800 colour film, transferred to digital jpeg format and processed to monochrome in Adobe Lightroom. The conversion to monochrome is a stylistic reference to this being a retrospective view.

Travel retrospective 7 – super flour

Making super flour in Afghanistan

Making flour

On a visit to Afghanistan in 2003 I visited a development project in Kabul making a vitamin enriched super flour which was then used to make various food products. The aim was to counteract malnourishment in children caused by poverty and lack of access to an even basically nutritious diet.

The project covered the whole process of flour production and in this photo we see two women working in the final stage of mixing the different flours which can be seen in the layers of the large batch of flour. They would scoop up across the layers, then sift the flour through the sieves for bagging. They are wearing masks to prevent inhaling the fine powder created in the process.

It was a simple but highly effective project. One woman volunteered to work there after her child’s health improved through eating bread made from this super flour.

This photograph was originally shot on Fuji Pro 800 colour film, transferred to digital jpeg format and processed to monochrome in Adobe Lightroom. The conversion to monochrome is a stylistic reference to this being a retrospective view.

Travel retrospective 6 – Thailand

Two curious little Karen girls

Curiosity

This photo speaks to me of the beauty of childhood curiosity and innocence. What makes it all the more powerful is the context, which is simply not obvious in the photograph. It was taken inside a refugee camp in Thailand on the border with Burma (Myanmar).

There are many such camps providing a safe refuge for the Karen people whose traditional lands bridge the present countries of Burma and Thailand who have been driven from their villages in Burma. The camps are host to simply thousands of these peaceful and dignified Karen people. On a visit to one camp I spotted these two little girls completely engrossed in looking into this water tank. I was struck by the innocence and sheer humanity of the scene. In the midst of a persecution these little girls simply could not understand, they were behaving just like children of their age anywhere. There is hope expressed here, that innocence and purity can exist within turmoil and pain.

As I reflect on this image and my time visiting the camps in Thailand I think of the thousands of refugees fleeing across the Mediterranean in recent times and how sad it is that they have become pawns in a political game of “not my problem” among the countries of Western Europe. In the midst of turmoil and pain, innocence and purity can flourish, but we in the West seem to be doing our best to stifle it – however unwittingly.

  • Camera, Nikon D70S
  • ISO-1600
  • Aperture, f5.6
  • Shutter, 1/800 sec
  • Focal length, 300mm

Originally shot in colour the photo was processed to Monochrome in Adobe Lightroom with slight adjustments to tone, sharpness and grain reduction.

Travel retrospective 5 – Kathmandu

Hindu temple

Ritual

In these days following the earthquake in Nepal I have been remembering my visit there in late 2001. With so many people killed in the devastation of a natural event I wonder what has happened to the people I photographed almost 14 years ago. This particular photo was taken at a Hindu temple in Durbar Square. I believe it was destroyed in the earthquake and, looking at this photo, I wonder if it was empty at the time or if there were people inside.

Having a personal connection with a place brings a greater sense of reality when a disaster strikes and suddenly it is easier to be aware of the real people affected by tragedy; those who have lost their lives, those who have lost loved ones and their homes, their places of work, their capacity to earn a living and the stress placed on their hope for the future.

Amid the tragedy, it’s been good to know that all my BMS World Mission colleagues living and working in Nepal are safe and well. I know that they are now busy doing what they can for those in need. I’m pleased that BMS is running an appeal for help and that once the relief effort, the cameras, microphones and reporters have left, my colleagues will still be there working with people to rebuild their lives and their hope.

This photograph was originally shot on Fuji Pro 800 colour film, transferred to digital jpeg format and processed to monochrome in Adobe Lightroom.