I recently gave a short talk illustrating different ways in which photography is communication and used this image as an example of paying attention. By that I mean that there’s an aspect of communication involving the photographer through paying attention to the subject. For me this happens at least three times. First of all in the original taking of the photograph, considering the framing, composition, lighting and exposure; secondly in the editing process, and again in any viewing of the photograph.
This photograph was taken in Afghanistan in 2003, soon after NATO had taken over security in the country following years of conflict and Taliban rule. The taking of this photograph happened very quickly as it was one of those quickly spotted opportunities. In paying attention to the subject I was struck by the thoughtful reflective pose of this older man as he sat among some friends. I particularly noticed how the light was falling across the upper part of his head, coming from slightly behind and that his eyes were looking down, essentially away from the light. Given this man’s apparent age and the recent history of the country, I wondered what his eyes had seen and what his thoughts might be. I found it easy to imagine that he was thinking about things he’d seen, things that had been visible to him because the light fell on them. He looked to me like he carried the burden of his thoughts and I wondered if this meant he was a little discomforted by the light.
Originally shot on colour film this image was transferred to a digital format allowing me to work on it in Lightroom where I decided to convert it to monochrome in order to make the feelings it evokes rather more stark. I needed to pay attention to the subject again in the editing process in order to reconnect with my thoughts on taking the photograph and to get the tones and balance right in the mono conversion.
It’s a personal favourite, and was an easy choice to include in my retrospective.