Kelpies – Magritte style
This is rather rough and ready but an experiment in Photoshop to make an image in an homage to Rene Magritte, a surrealist artist from Belgium noted for pop and conceptual art. His paintings were often very minimalist and sometimes featured a sense of absence or unnatural juxtaposition in some form or other.
This image featuring The Kelpies is inspired by Magritte’s painting of a man in a hat facing away beside a transparent outline of himself in which the full figure blocks the background and the transparent one reveals it. In Magritte’s painting a curtain provides the backdrop to the cut-out figure which allows it to appear. In this Kelpies image I opted to screen the whole image apart from the figures and the see-through to the Kelpies in the background.
The final image is a composite of two photographs taken on location. My camera was tripod mounted to provide a secure and consistent framing across both images. For the shot of the figure the focus was on the figure but there was never going to be enough depth of field to keep the Kelpies in focus too. The second shot, from the same tripod set-up focused on the Kelpies. The rest of the work was in Photoshop using layers and a mask.
With more time, I’ll work on this approach a little more and aim for a much more refined end product, but as a trial piece, I’m happy to have proved the principle.
Today’s shoot was of The Kelpies, the largest equine sculptures in the world. They sit majestically at the Forth and Clyde canal in the Helix Park at Falkirk. I was last there a few years ago and took some scoping out shots on my iPhone. The intention was to return, fully kitted-out, and today was the day. It was challenging lighting to begin with under predominantly grey skies; but things improved…
Given the grey skies and flat light I decided to get up close. The sculptures were modelled on a pair of Clydesdale horses, Duke and Baron. This is Duke, with his head down. I noticed the light inside the sculpture and moved position until it was placed in the eye giving the impression of Duke looking at you and bringing a sense of life to the sculpture.
1/60sec at f14 ISO 200
Just as I was getting ready to pack up, the light changed as a weak sunlight began to break through giving more modelling to The Kelpies. The way the light fell across the curves of the sculpture creating highlights and shadows gave them rather more depth.
1/100sec at f11 ISO 200
And finally, as I was leaving the location the sun got stronger and was low to the horizon so I chanced a look back. I’m so glad I did. The sky behind had darkened creating a more dramatic backdrop to The Kelpies, which were now lit in contrast to their surroundings. So, hang around long enough and something dramatic might emerge from what was previously flat and grey.
1/125sec at f14 ISO 200