Tag Archives: reflection

An hour in Wantage

What’s it like to view where you live as if you were shooting it as a travel photographer? That’s the question I set out to answer in an hour in Wantage.

60 minutes, one camera, one lens and the self-set challenge to view the familiar differently.

After about the same time editing in Lightroom and Photoshop here are the results.

loaves for sale

bread stall

It happened to be Wednesday and market day in Wantage. It’s always good to ask the stall holder for permission to take some photos as it usually gets a warm response and gives more time to frame the shots as you want them.

burger van

dining out

On the other hand, there’s also merit in some candid shots which give a natural feel of life going on normally. This one just looked better converted to monochrome and it needed some lightening of the shadows to bring out the detail inside the van.

Illistrative brickwork

relief mural

I like textures and this relief mural on the side of Sainsbury’s caught my attention. I’ve walked by here so often and given this little notice but the conscious effort of seeing through the lens of the travel photographer does force you to notice more.

a warning

official graffiti?

And just beside it was this notice which left me wondering if this was official graffiti. Curious.

church and graveyard

grounds of faith

Another shot that looked better converted to monochrome. The parish church in Wantage seen from the graveyard to the east. This meant shooting into the light, but it created the contrasty result I was looking for.

window sign and reflection

reflecting on wines

Opposite the church I noticed a building with two windows above which were the slogans “Wines” and “Spirits”. I was intrigued by the juxtaposition with the church and that there are gravestones reflected in the window; warning perhaps of the perils of over-indulgence?

statue of John Betjeman

John Betjeman bust

Staying with the theme of the parish, this bust of John Betjeman sits on a plinth outside the Vale and Downland Museum.  The inscription on the plinth describes John Betjeman as a poet and parishioner. It was always going to be difficult to get in one shot the bust and the inscription, so I shot them separately and blended them in Photoshop. I think it works reasonably well as there was little contrast on the inscription to work with and, at the time of shooting, the lighting didn’t exactly help.

old wall sign

wall sign

I’m not sure who was doing what repairing but this sign just looked intriguing and the shadows and brickwork added to the texture in the shot.

contrasts

shadows

And finally, I liked the way the sun cast strong shadows from the canopy covering the walkway outside Sainsbury’s. This was just screaming out for a mono conversion to maximise the sense of contrast.

But wait, I hear you say, isn’t Wantage known as the birthplace of  Alfred the Great? What about him? Oh, all right then, here you are…

Statue of Alfred the Great

Alfred the Great

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Light and time

colour on stone

cast colours

What makes photography a strange invention is that its primary raw materials are light and time.  John Berger

 

Light and time are ever present, yet also fleeting, passing and constantly changing. As John Berger says, they are the essential raw materials of photography. As the shutter opens and closes the light present at that moment in time is captured and recorded.

Both concepts of light and time speak to me in this photograph taken in Gloucester Cathedral. The direct light of a low February sun was shining through the stained glass windows casting this collage of colour onto the stone pillars of the Cathedral. I was drawn much more to this casting of light than I was to the window itself. The pillars provide a sense of permanence, stability and strength, almost challenging time itself. In contrast, the cast of colours suggest the fleeting nature of light washing lightly and gently over the hardness of stone. Those particular patterns might never appear again in exactly the same way and the magic of photography lies in capturing this moment of interaction between light and time.

I’ll probably keep coming back to this image as it’s just one of those that I can look at time after time and be inspired to different thoughts and emotions.

The photo was shot on a Canon EOS 70D at 1/40 sec with an aperture of f8 at ISO 800. The focal length was 29mm. It was shot in portrait format and I made slight adjustments to tone and colour in Lightroom as well as cropping for composition.

Travel retrospective 11 – paddling home

Paddling home

Fisherman

This was shot during a visit to the Indonesian island of Nias in December 2006. It was an extremely hot day and in a break from filming on the beach I had gone for shelter higher up the shore which gave me enough height to spot this lone fisherman making his way back to shore.

I was struck by the effort of paddling back home and the pose of this fisherman seems to capture that. I think the effort is made more visible by the contrast and silhouette created by the contre-jour lighting. When this fisherman had hauled his boat ashore with the help of a friend, I wandered down to see the extent of his catch; a mere three fish. I was struck by realisation of the amount of effort it takes for many people in the world today to scratch out a living and this photo always reminds me of that.

The photo was shot using a Nikon D70s at 1/640 sec on ISO-400 with an aperture of f14 and a focal length of 300mm. The original photograph was in colour and has been converted to mono in Lightroom with minor adjustments to tone and contrast.

 

Travel retrospective 10 – Catching the bus

Bangkok bus

Catching the bus

This was shot in Bangkok from an elevated walkway. It had been raining heavily and, as usual, the roads were busy with traffic. This bus had stopped in the congestion and I noticed a few people run through the traffic to reach it, as it was nowhere near the pavement or bus stop. That seemed to be no obstacle for those wanting to get on.  The woman approaching the bus was the last to make the dash and look of delight on her face indicated just how pleased she seemed to be to be in getting there.

I think the wet road adds an interesting texture to the photograph with small puddles of gathered water and softly reflected shadows. I like the sense of contrast in the story of this picture with the stationary nature of the traffic counterpointing the movement of the people grabbing an opportunity.

The photo was shot using a Nikon D90 at 1/320 sec with an aperture of f5.6 and a focal length of 105mm. The original photograph was in colour and has been converted to mono in Lightroom with minor adjustments to tone and contrast.

 

Travel retrospective 8 – curiosity

An old woman shows interest

Curiosity

It’s curious, sometimes the unexpected just appears before you and proves to be really captivating. I was on my first filming trip with BMS World Mission covering a number of projects in and around Kathmandu, Nepal. On this occasion, we were filming a public health initiative which was focusing on maternal health. Upstairs in a small brick building, babies were being weighed and checked after which there was to be a nutritional cooking demonstration in the yard at the back. I was making my way up the stairs to get some photographs of the baby clinic when I happened to look down into the adjacent property where this elderly woman had appeared and was looking up at the noise coming from the clinic, as babies cried and mothers sang.

I have often wondered what she was thinking, but she has a look of curiosity on her face, Was she struggling with her eyesight and unable to see what she was hearing? Was she fondly remembering being a young mother herself? Was she concerned about something? There’s no way of knowing, but I was immediately struck by her appearance and expression, behind which lies her own personal story. A story we can only guess at but which is real, was lived and experienced.

This photograph was originally shot on Fuji Pro 800 colour film, transferred to digital jpeg format and processed to monochrome in Adobe Lightroom. The conversion to monochrome is a stylistic reference to this being a retrospective view.

Travel retrospective 7 – super flour

Making super flour in Afghanistan

Making flour

On a visit to Afghanistan in 2003 I visited a development project in Kabul making a vitamin enriched super flour which was then used to make various food products. The aim was to counteract malnourishment in children caused by poverty and lack of access to an even basically nutritious diet.

The project covered the whole process of flour production and in this photo we see two women working in the final stage of mixing the different flours which can be seen in the layers of the large batch of flour. They would scoop up across the layers, then sift the flour through the sieves for bagging. They are wearing masks to prevent inhaling the fine powder created in the process.

It was a simple but highly effective project. One woman volunteered to work there after her child’s health improved through eating bread made from this super flour.

This photograph was originally shot on Fuji Pro 800 colour film, transferred to digital jpeg format and processed to monochrome in Adobe Lightroom. The conversion to monochrome is a stylistic reference to this being a retrospective view.

Travel retrospective 6 – Thailand

Two curious little Karen girls

Curiosity

This photo speaks to me of the beauty of childhood curiosity and innocence. What makes it all the more powerful is the context, which is simply not obvious in the photograph. It was taken inside a refugee camp in Thailand on the border with Burma (Myanmar).

There are many such camps providing a safe refuge for the Karen people whose traditional lands bridge the present countries of Burma and Thailand who have been driven from their villages in Burma. The camps are host to simply thousands of these peaceful and dignified Karen people. On a visit to one camp I spotted these two little girls completely engrossed in looking into this water tank. I was struck by the innocence and sheer humanity of the scene. In the midst of a persecution these little girls simply could not understand, they were behaving just like children of their age anywhere. There is hope expressed here, that innocence and purity can exist within turmoil and pain.

As I reflect on this image and my time visiting the camps in Thailand I think of the thousands of refugees fleeing across the Mediterranean in recent times and how sad it is that they have become pawns in a political game of “not my problem” among the countries of Western Europe. In the midst of turmoil and pain, innocence and purity can flourish, but we in the West seem to be doing our best to stifle it – however unwittingly.

  • Camera, Nikon D70S
  • ISO-1600
  • Aperture, f5.6
  • Shutter, 1/800 sec
  • Focal length, 300mm

Originally shot in colour the photo was processed to Monochrome in Adobe Lightroom with slight adjustments to tone, sharpness and grain reduction.